MIDI 101 – Understanding MIDI Basics

by The TweakMeister

 

Those that succeed as home electronic musicians understand MIDI.  You can try to get by without it, but it will dog you at every turn.  Don’t think the MIDI is only something that keyboard players need to know. Today, MIDI controller data is used to automate a variety of studio gear, including the hardware and software mixing consoles we use.

MIDI, the Musical Instrument Digital Interface is a protocol developed in 1983 by major synthesizer manufacturers to allow one synth to play another remotely. They tried to figure out a way they could make a second synthesizer play by sending it control data from the first.  They figured it out, and more!  The developers quickly found out a computer could record and playback 16 channels of this data and it revolutionized the way music is produced. Then they discovered with the right hardware you can have several of these 16 channel bundles (or ports) all running at once.   The implications were profound.  Now one person could compose multi-part music all by themselves.  

The sound (or audio waveform) of the keyboard or module does not go down the MIDI cable, only these computer encoded “events” do.  What is an “event?”  It’s all just numbers, man.  But not the large blocks of numbers that make up an audio waveform.  MIDI events are just ones and zeros that saywhen you pressed down which key (a note ON event), how hard you pressed it (velocity number), when you let the key up (a note OFF event), pressed the next key, moved a knob (controller data), changed a program (program change command).  That is the basic point you have to fully understand.  The coolthing is that all this MIDI data, once recorded, is fully, totally, completely editable, malleable, changeable, transformable, re-assignable, erasable, replaceable and it all happens on the edit screens of your sequencer.    

midi data in the event list

IMPORTANT:  MIDI works by sending NOTE ON and NOTE OFF events down a midi cable as well as timing information and controller (knobs, wheels, and sliders) information.  Read that again, OK?  MIDI works by sending NOTE ON and NOTE OFF events down a midi cable as well as timing information andcontroller (knobs, wheels, and sliders) information.  MIDI does not send sound, or audio down the MIDI cable.


Engineer’s Earning Scale

By Pluginin to Support

 

Television stations usually pay higher salaries than radio stations, commercial broadcasting usually pays more than non-commercial broadcasting, and stations in large markets pay more than those in small markets.

 

  • Median annual wages of audio and video equipment technicians in May 2008 were $38,050. The middle 50 percent earned between $28,130 and $51,780. The lowest 10 percent earned less than $21,500, and the highest 10 percent earned more than $66,030. Median annual wages in motion picture and video industries, which employed the largest number of audio and video equipment technicians, were $39,410.
  • Median annual wages of broadcast technicians in May 2008 were $32,900. The middle 50 percent earned between $22,900 and $49,340. The lowest 10 percent earned less than $17,510, and the highest 10 percent earned more than $66,550. Median annual wages in radio and television broadcasting, which employed the largest number of broadcast technicians, were $29,220.
  • Median annual wages of sound engineering technicians in May 2008 were $47,490. The middle 50 percent earned between $32,770 and $69,700. The lowest 10 percent earned less than $23,790, and the highest 10 percent earned more than $92,700.
  • Median annual wages of radio operators in May 2008 were $37,120. The middle 50 percent earned between $27,890 and $48,200. The lowest 10 percent earned less than $19,240, and the highest 10 percent earned more than $61,290.

What do you think about engineering earnings? Are there any suggestions you would like to add?

 

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Broadcast and Sound Engineer Career Outlook

by Pluginin to Support

Broadcast and sound engineering technicians and radio operators held about 114,600 jobs in 2008.

About 29 percent of broadcast and sound engineering technicians and radio operators worked in broadcasting (except Internet broadcasting), and 15 percent worked in the motion picture, video, and sound recording industries. About 13 percent were self-employed. Television stations employ, on average, many more technicians than radio stations. Some technicians are employed in other industries, producing employee communications, sales, and training programs. Technician jobs in television and radio are located in virtually all U.S. cities; jobs in radio also are found in many small towns. The highest paying and most specialized jobs are concentrated in New York City, Los Angeles, Chicago, and Washington, DC—the headquarters of most network and news programs. Motion picture production jobs are concentrated in Los Angeles and New York City.

Job Outlook

Audio and video equipment technicians  55,400

Broadcast technicians  38,800

Sound engineering technicians  19,500

Radio operators  1,000

Employment change. Overall employment of broadcast and sound engineering technicians and radio operators is expected to grow by 8 percent over the 2008–18 decade, which is about as fast as the average of all occupations. Projected job growth varies among detailed occupations in this field. Employment of audio and video equipment technicians is expected to grow 13 percent, about as fast as average. Audio and video equipment is in heavy demand in many new buildings, especially new schools, and in existing schools as well. Many new technicians will be needed, not only to install, but to maintain and repair the equipment as well. A growing number of companies will plan permanent departments employing audio and video technicians. An increase in the use of digital signage will also lead to higher demand for audio and video equipment technicians. In the motion picture industry, employment for these workers will grow because they are needed to install digital movie screens.

Employment of broadcast technicians is expected to grow by 2 percent, signifying little or no change, and employment of sound engineering technicians is expected to grow by 6 percent, which is slower than average. Advancements in technology will enhance the capabilities of technicians to produce higher quality radio and television programming; however, this improved technology will also increase the productivity of technicians, which may hold down employment growth. Jobs in radio and television broadcasting will also be limited by further consolidation of stations and by labor-saving advances, such as computer-controlled programming. In the cable and pay portion of the broadcasting industry, employment is expected to grow as the range of products and services expands, including cable Internet access and video-on-demand. An area in which technicians will be in increasing demand over the next several years is mobile broadcasting.

Job prospects. People seeking entry-level jobs as broadcast technicians are expected to face keen competition because of the large number of people attracted by the glamour of working in television or radio. Competition will be stronger in large metropolitan areas where pay is generally higher and the number of job seekers usually exceeds the number of openings. Prospects for entry-level positions are expected to be better in small cities and towns, provided that the jobseeker has appropriate training.

What do you think about careers in engineering ? Are there any suggestions?

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Let us know your thoughts and comments.
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